The Noise Improvisations of Dry Eyes

First of all, the owner of Siccum Records = Dry Eyes = Me

I’d like to talk about the Noise Improvisations that are released frequently by me. Currently, there are 21 of these noise improvisations. Except for the white noise improvisation, these are all made by recording short sounds (around 10 seconds usually), then looping and crossfading them. This creates for each sample a continuous stream of sound, which is played back with other sounds which are given the same treatment. Then, in real time, the volumes of the samples are manipulated, creating different combinations of noises.

VST effects are applied to the stream of sound created, making for different soundscapes which evoke different mental states when listened to. Sometimes the sound is a calming drone, at other times, it can be quite harsh. Many rhythms play independently of each other, just like the rhythms of every day Real Life.

Often I find that when a copious amount of reverb is applied to the mess of sound, it creates what sounds like a train rushing through a tunnel. To me, this sound is hypnotizing, and I use this effect quite a bit.

This kind of musique concrète is for me a celebration of mundane things. The sounds are for the most part created using mundane objects, and I try to make each object shine in a beautiful way through sound manipulation. Making this music is very enjoyable because it turns anything that makes sound in the environment around me into a potential musical instrument that can be recorded.

Noise music to me is a way to make any sound beautiful; it is to me music, not “just” noise, or not “noise not music”. Echoing the predictions of the Italian Futurists, modern technology has enabled us to turn any sound into music, and to me, noise is the future of music in this respect. I prefer to use mundane sounds, but noise is so great because literally anything can be used, and this freedom is a great thing for music.

If you listen closely, the universe is playing a noise performance to you; appreciating this and other noises leads to the appreciation of beauty in what actually exists in real life. In this respect, a noise album is like an extension of what the universe already does, and this is a great thing, in my view.

Anyways, if you want to hear my Noise Improvisations, check them out at http://dryeyes.bandcamp.com/

Also, check out the black and white photograph prints I have for sale too!

Why diigitae’s Extreme WEN§Digo VOL.1 is an album you should listen to

While judging simply from the tracklist one may surmise that someone simply put a folder or two full of noise experiments on a CD and called it an album, one should not count this as a mark against the album, but rather, part of its charm. There is variety in the types of sounds presented, from fear-inducing, surreal noise in the opening track to well-sculpted mixes of tones and static, to improvised pieces which take the listener on a noisy journey to strange places. The whole point of this album is that it IS a snapshot of a budding artist, and it should be taken as such. Refinement is not necessary here: this is the raw chaos of creation, and it is a great listen.

diigitae – Extreme WEN§Digo VOL.1 released on Siccum Records

I’m excited to announce that Siccum Records has released Extreme WEN§Digo VOL.1, a full-length, harsh noise album by diigitae, a noisemaker from France. Available on CD and as a digital download on Bandcamp, Extreme WEN§Digo VOL.1 is 13 tracks of well-sculpted, harsh noise. Get your copy today!

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Siccum Records is a small, independent record label specializing in small runs of experimental music. By “experimental” I do not mean any particular style which has congealed around the term “experimental”; as the founder of Siccum Records (myself) has no loyalty to a particular scene and has tastes in music which run the gamut through classical, jazz, noise, musique concrete, industrial, ambient, drone, and chiptune on one hand, and more easily digested music on the other, less exciting hand. Siccum Records is concerned with the music on the less easily digested hand.
Siccum Records started with my music, Dry Eyes, which started as a post-industrial, dark ambient fusion and went in a million different directions from there. After quite a few Dry Eyes releases in a short period of time, I released an Alpha Cygni album, Alpha Cygni simply being a space ambient side-project of mine.

“Siccum” is Latin for “dry”.

Releases are to be on CD mostly, but also the occasional tape. It is possible that you may see Siccum Records lathe-cuts or even vinyl in the future. In the interest of practicality in music releasing, I believe the CD to be the best format.

Siccum Records releases can be bought at http://siccumrecords.bandcamp.com/

If you wish to buy in quantity of 3 or more, say for a record store, email me.